Friday, December 19, 2008

40 Years Ago Today From DC Comics -- Witching Hour #1

Witching Hour #1 (On Sale: December 19, 1968) has a very moody cover by Nick Cardy.

This was DC's second foray into horror/mystery titles giving the House of Mystery some competition. Editor Dick Giordano went with a trio of "hosts" for this book, two older witches (Mildred and Mordred) and a young, hip witch (Cynthia). I liked this book and Giordano got the most amazing artists for his horror stories. He also made the stories of the old vs. young witches and the bumbling Igor a lot of fun.

Like House of Mystery, the Witching Hour's hosts appeared in framing sequences around the actual stories, but in the Witching Hour they tended to be more of another story in themselves involving the interactions between the three witches. This first issue begins by introducing the hosts in "Let the Judge Be...You!!!" written and drawn by Alex Toth.

Next is "Save the Last Dance for Me" by Denny O'Neil and Pat Boyette. Trapley is rich and selfish and has a machine that has locked onto earth 100 years into the future. He wants all the benefits of traveling there for himself, and what he finds...well, you'll have to read the story. Reprinted in Witching Hour #38.

That is followed by "Eternal Hour" another tale with Alex Toth story and art. Terwit is dwarfish and is teased and ridiculed by the town's boys. Most adults do nothing to stop it. Terwit recluses himself in a clock tower and the clock from then on is stopped at midnight. Years later, many of those boys, now men, go to the tower to drive Terwit out and their screams cry out...Why? Reprinted in Witching Hour #38.

Next is "The Perfect Surf" drawn by Jack Sparling. Stanley is totally nuts about surfing. He really never even notices the total babe at his side. He is obsessed with finding the "perfect wave". He is afforded an opportunity to find that wave in the dead of night. Reprinted in Witching Hour #38.

The book ends with the Epilogue to "Let the Judge Be...You!!!" written by Alex Toth and drawn by Neal Adams.

Edited by Dick Giordano.

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